Nov 27 2008

Featured Poet: November 2008 Vol. 1 #1

Kerry James Evans

 

Kerry James has been a finalist in both the Saturnalia and Kent State book contests as well as a finalist for Boston Review’s Discovery Award. He makes his home in southern Illinois, where he’s finishing up his last year in the MFA program of SIUC.

         

 

Monopoly

 

She is always the wheelbarrow—a piece

I can’t grasp. I am the cannon of war.

 

We never deal out property—the Deluxe

Edition, we’d rather fight, with each roll,



over New York and Boardwalk, Railroads

and Utilities. I’ve yet to own Boardwalk,

 

but I manage to swindle the Railroads.

Occasionally, I am lucky to land in jail,

 

where I don’t have to mortgage property

to pay rent. She buys hotels early, casts

 

me to the ghetto of Baltic. Once, I boasted

three monopolies, won Free Parking—

 

we place $500 in Free Parking. I bagged

my earnings from the middle, revealing

 

the moustached man with his shoulders

shrugged, hat tipped. He winked at a stack

 

of pastels tucked on the edge of town.

The game was fixed. She kept drawing

 

the good cards from the Community Chest

and Chance. I lived in the suburbs and she

 

was my landlord. Like my father, I slipped

off and got drunk on Boardwalk, gallivanted

 

for a while. It cost me everything—she owned

that, too. Fed up, I took out a loan at 10%

 

interest, paid her and passed Go, collected

two hundred dollars and made a run for it.

 

Got as far as Pennsylvania before she caught

me stealing shampoo from her hotel. Clogged

 

barrel, she broke me. Gave me the worst smile:

Cook me supper and I’ll let you stay.

 

                                      ~appeared originally in Eclipse Vol. 19, Fall 2008

 

 

          Blue Ribbon Tomato Soup

 

This is dinner: tomato soup

with black pepper and garlic salt,

a grilled cheese buttered

                                on both sides,

 

charred in the skillet on the stove.

 

I serve my brother and sister this meal

with napkins and plastic ware.

                                                We say grace.

 

Our parents are working.

Parents work.

                        The meal is superb.

 

I get a wink and a high-five, turn off

the stove eye—

                           sometimes I forget.

 

I am a chef at any restaurant imaginable:

Cracker Barrel, Country Kitchen,

the coffee shop on U.S. 78,

just before the peanut shack

in Carbon Hill.

                             My brother and sister agree.

 

They say I ought to enter the county fair.

Drape a cloth over my arm

                                            when I serve.

 

They remind me not to speak about how

food stamps paid for this meal.

 

We talk about the neighbors up the hill,

the expiration date on the milk jug.

 

                                                ~appeared originally in Court Green 2008

 

 

          Design

 

                   after Billy Collins

 

And this, canvas of paintless

numbers, this square, it

is the square

of my imagination, four

corners and seam

running from this

middle, my mother’s awful

trailer, the children

she keeps in daycare—

a square daycare, where I look

back into memory and recall

the driest of squares,

an empty pan

of meatloaf, ketchup

crusting in our stomachs

—my brothers and sisters

and all the children mothers keep.

And I think of the square world

and how it stumbles

down the stairs of space,

while we square off the yard

to plant seed, to remind

our children of what they

cannot have, while we

sample wine from a boxed

bowl, its drip,

dripping on the tile floor

of this, our grouted design.

 

                ~appeared originally in Iron Horse Literary Review Volume 10 #2, 2008

 


Nov 26 2008

Poem of the Week, Nov. 24-30

    

                  

          ~ James Wright, The Branch Will Not Break (1963)

 

 

 

Why this poem is beautiful needs no rationale.  Enjoy.

 

          ~T.M.


Nov 17 2008

Poem of the Week, Nov. 17-23

          In Dispraise of Poetry

 

When the King of Siam disliked a courtier

he gave him a beautiful white elephant.

The miracle beast deserved such ritual

that to care for him properly meant ruin.

Yet to care for him improperly meant worse.

It appears the gift could not be refused.

 

                   ~Jack Gilbert

 

 

 

This poem is excerpted from Jack Gilbert’s Monolithos (Alfred P. Knopf, 1982), a book I love dearly.  Gilbert’s poem relies less on evocative imagery (other than a white elephant) and more on the precision and progression of logic and thought.  It’s not a direct equation he’s after (white elephant = poetry), but more of a beautiful unveiling. Despite its size, the poem has a haunting quality that keeps coming back—oh, burdensome poetry.

 

~T.M.


Nov 14 2008

Poem of the Week

photo by Regina Mossotti

A Sort of Song

 

Let the snake wait under

his weed

and the writing

be of words, slow and quick, sharp

to strike, quiet to wait,

sleepless.

 

—through metaphor to reconcile

the people and the stones.

Compose. (No ideas

but in things) Invent!

Saxifrage is my flower that splits

the rock.

 

                   ~William Carlos Williams

 

Few poems or poets have had more impact on my writing.  It’s innocuous and slim, but the sentiments (the implication) of the speaker and the precision of image never tire.  The naked image, uncluttered by the poet’s attempt at “meaning-making”, is a grossly undervalued tool in much of contemporary poetry. 

~Managing Editor