Jan 15 2012

Featured Artist: January 2012 Vol. 4 # 3

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Heidi Zito
New York, New York
Email: heidi.zito@gmail.com
Website:
 www.heidizito.com
 


Born March 23, 1987 to a Japanese mother and an Italian father. Heidi Zito is a painter and video artist living in New York City. Zito has been a part of projects and exhibitions such as the Solomon R. Guggenheim's Stillspotting NYC project and an exhibition at the Big Screen Plaza in New York City. Her next solo exhibition will be on May 23 – June 30, 2012 at HEREart Gallery in SoHo. She is currently attending The School of Visual Arts for her Master of Fine Arts.  

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Jan 2 2012

Featured Poet: January 2012 Vol. 4 # 3

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Shanan Ballam

 

Shanan Ballam’s poetry has appeared or is forthcoming in several literary journals, including Crab Orchard Review, Main Street Rag, Indiana Review, and Cream City ReviewHer chapbook, The Red Riding Hood Papers, was released by Finishing Line Press in 2010. Her poetry manuscript, Pretty Marrow, was a semi-finalist for the 2010 Brittingham and Polk Poetry Prizes, the 2010 May Swenson Award, and the 2010 Philip Levine Prize in Poetry.  She teaches poetry writing and academic writing at Utah State University.

 

 

 
While Mowing the Lawn, I Realize I May Be Pregnant
 
Paradise of panic!  The self-propelled
      mower screams, drags
         me in messy loops around the yard.
One round, two: the blade lops off
 
      gold dandelion heads, lurches
         toward the broom bush,
yellow lush of fragrant blooms. 
      Frantically bumblebees suck
 
sweet nectar.  The world’s shrunk
      to a bright box of noise:
         my skin’s the bronze bash
of a cymbal, my footprints sizzle.
 
      My fingers are a crimson tingle.
         Kids across the street shout,
but the sound’s drowned out
      by the mower’s roar.
 
         It yanks me under the pine tree
and a branch whips my cheek, salty sting.
      I’m inside the sound of shattering:
         my father’s huge fist smashing
 
glass, the dining room table,
      phone splintered on the kitchen floor.
         I’m inside the wet hiss,
my mother’s drunk lips on my ear:
 
      Please, wrap your hands
         around my throat and squeeze.
I slip on slick grass,
      fall to my knees, but don’t stop,
 
         pop up like a jack-in-the-box,
knees grated, smeared wet-green.
      Just last week, on my father’s birthday,
         his new wife woke to blood streaming
 
down her thighs, a tear in her uterus.
      She cradled the stillborn fetus
         for hours.  As always,
Dad was drunk the whole time.
 
      The old bird feeder hangs
         in the pine like a broken arm,
like a forgotten piñata,
      and I want to beat it
 
         ‘til the stale seeds spill.
In the grass, violets shine like eyes.
      The mower slices them, spits
         out retinas, eyelashes.
 
Blown into sky,
      an eyelash is a wish.
         My sister tore all hers out,
held them in her palm and blew.
 
      Dew blazes in the lawn.
         The mower tears toward
one blade burning gold,
      lonely as a birthday candle.
 
 
 
 
 
 
Once More to the Lake
                        for my sister
 
Didn’t you just tell me you loved me?
Didn’t you just say you were sad about god?
And just now, was that the sound
of early morning, lake softly breathing?
Now, at this hour, I can’t
bear to let go.
 
Didn’t we just dance on the beach with bare feet?
Weren’t we lovely? 
And wasn’t my hair curled,
weren’t my lips painted pink,
lily of the valley pinned,
sweet perfume soaking
my hair? Wasn’t that yesterday?
 
And weren’t we happy, and weren’t we strong,
muscles flexing under tanned skin
as we dove in, trout spinning
their shimmering funnels around us?
 
Weren’t we a family?
Weren’t we?
And wasn’t our father charming
that day on the lake,
his blue hat flying off in the wind?
And wasn’t he marvelous,
his enormous authority as he leaned
from the truck window, Marlboro dangling
from his mouth, his silent concentration
as he snugged, inch by inch,
our trailer into its narrow slot?
 
And wasn’t he wonderful
in the mornings before he’d been
drinking, how he hauled
the jetskis into the lake,
rainbows of gasoline glistening?
We watched strapped
in bright pink life-jackets
as he choked the engines,
then throttled them
until they screamed.
 
I loved him, you know, this is our story.
We wore green bikinis,
cut-offs and thongs, white-rimmed
sunglasses even,
we all drank rum in a cabin,
and even then you knew
you shouldn’t marry
that man, but you married him,
even then he slammed you down
 
on the concrete and our parents never said a thing,
even then he forgot your birthday,
and you were only sixteen, and that was before
you were pregnant, before I whispered abortion,
before we dove into
the lake and witnessed our own
distortion under water,
before we knew our father would not
survive his life, the life we helped
construct and destroy, and everyone keeps
saying it was not,
it is not your fault,
and it’s not,
but go back, go deeper: had we not
been so clever, had we
not been so evil,
had we not fought over
the one blue cup, had we not
bawled in the Mexican restaurant—
if we went back maybe we’d try
to be better, learned to build
engines because having only
daughters, he had to do this
alone.
 
Didn’t we all love one another
once on the lake before
we could look back and grieve,
before cancer in the femur,
before alcohol poisoning,
before liver failure,
before all these sad children,
before everything collapsed,
weren’t we blessed,
weren’t we lovely?
Once I wore perfumed flowers
and a white cotton dress,
once we smiled
for the camera
near the lake, its cold
turquoise drowsy and deep
while we stood, clinging.
I’m asking you to take me,
take me back, once more,
to the lake.
 
 
 
My Paper Boat
 
You were an albino trout waving
its tail in the river’s cold current,
but when I crept closer I saw
 
you were a white swath of plastic,
perhaps fabric torn from a dress,
or paper. You were a suicide
 
note, or a love poem snagged
on a ragged branch.  I wanted
to peel off my socks, wade into
 
the shock of winter run off, wanted
to take you with me, your words,
your little body.  I imagine
 
someone folded you into a warm
pocket, dropped you by accident,
or pinned you to a tree till spring wind
 
ripped you down.  Why did I not save
you, lay you in the sun.  Why did I
not lift you, moss-limp and lovely, press
 
your river-blurred words to my face. 
You are my love note to the world,
 my paper boat.  I wish you
 
could let go and swirl away
to a place unblemished, where light
could pour its honey onto your face.
 
I wish you could let go and forget
I stood here on the bank, body filled
with river stones, hand clutching
 
a heavy set of keys.  I should have
opened my mouth to taste you,
chewed and swallowed you, rescued
 
you from unsnagging into new
violence, tumble-lick of rocks,
river gnashing you, ragdoll.
 
Why did I not kneel, crawl
into the river to you,
my bright pinwheel.
 
 
 
 

Dec 15 2011

Featured Artist: December 2011 Vol. 4 # 2

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Flynn Geissel
Washington, DC
Phone: 202-415-4682
Email: flynngeissel@yahoo.com
Website: www.flynngeissel.com

 

Internationally exhibited artist Flynn Geissel holds a deep passion for art and has been painting since 1997. Equally proficient in the landscape as well as in abstract expressionism, Geissel’s work is a regular part of juried exhibits. In 2010, the artist’s work was exhibited at Agora Gallery and the NAWA Gallery in Chelsea, New York and at the July 2010 “Sensory Overload” exhibit at the Corcoran Gallery of Art in Washington, DC. Geissel’s more recent exhibits include The Museum of the Living Artist in San Diego and The Brick Lane Gallery in London, UK.

 

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Dec 1 2011

Featured Poet: December 2011 Vol. 4 # 2

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Tim Tomlinson

 

Tim Tomlinson is a co-founder of New York Writers Workshop, and co-author of its popular text, The Portable MFA in Creative Writing.  Recent work appears or is forthcoming in Asia Writes, Floorboard Review, InterlitQ, Mandala Journal, The New Poet, Prick of the Spindle, riverbabble, Pank, the New York Quarterly, and the anthology Long Island Noir (Akashic Books).  His poem “Blue Surge, with Prokoviev,” in Sea Stories, has been nominated for Sundress Publications’ Best of the Net 2011. 

 

 

 

Mescaline

 

On mescaline we walked close to the dunes

where terns nested.  They swung into the sky

 

and dove like arrows aimed straight at our heads.

I wasn’t sure if it was happening,

 

but it was happening, and I watched you run

to the shoreline, fall knee-deep in the surf, 

 

your arms flailing at residual trails

the terns sliced into the ether.

 

How odd that must have appeared to people

not on mescaline, but how intriguing 

 

to me.  Van Morrison’s intrigue of

nature’s beauty occurred to me, how there’s

 

stillness underneath nature’s violence

and from that stillness all things radiate.

 

But that’s not what you were thinking when they

pulled you soaked and shivering from the surf.

 

Later you explained how that one image—

me watching your terror—is what ended

 

us.  That was the danger with mescaline:

the immutable truths it might reveal. 

 

 

 

 

Morgan’s Bluff Revisited

 

At dawn the gulls laugh again.

 

Two gray angelfish ascend …

… kiss the surface …

                … recede …

                                the water’s surface wrinkles.

 

Pink light separates the gray sky from the gray sea.

Enormous clouds form like the aftermath of great explosions.

 

How pensive this daybreak,

                                                a grenade without a pin.

 

In a needling insect heat the dawn’s final breeze fades.

 

A jeep’s lights flash on, it backs out of the commissary. 

 

Pelicans lift from the pylons.

The Cuban whore retreats up the Bluff Road,

                                                her sandals dangling from a finger.

 

 

 

 

Loop Current

 

At sunrise we piss from the upper deck

onto the flat calm surface of Biscayne Bay.

We are eighteen, the deck is high—our piss

arcs out in glorious loops, splashes with

a bracing violence, its ripples rolling

past the breakwater into the canal

linked to Government Cut where tugs push

cruise ships toward the Gulf Stream, our piss following. 

I imagine it churned up in the whitewash

of giant propellers, swirling in a blend

of seas and plasmids as it joins the world’s

great currents, hugging the Atlantic

coastline heading north past the flashpoint

of the Civil War, past New England and

Nova Scotia into the vast schools

of bluefin tuna spearing the water

columns.  Ice floes threaten shipping in

the North Atlantic.  It’s lunchtime in

the UK, in Spain they’re napping.  What drum

beats along the coast of Senegal, what

hurricane amasses?  This will be news

in Guyana, news in Jamaica where 

from Lucea to Oracabessa 

shutters are pulled tight.  And traffic

on Route 1 backs up past Matecumbe Key. 

By the time we shake off, the coffee cools

in the galley in mugs that taste of bleach,

and local birds vector south in airstreams

miles long beneath the pink and aqua sky. 

No news but the weather, no desire

but for longer, and still longer days.   

 

 

 

 

Construction

 

Saturdays were half-days, our pockets

full of Friday money.  We’d roll over

to the roadhouse on Elysian Fields,

straight-claw hammers hanging from our belts.

 

The jukebox played “Layla” 

and “I See the Want To In Your Eyes.” 

Pitchers of Dixie, package of smokes,

maybe a Stewart’s sandwich from the microwave. 

 

Coeds from UNO bent over

the pool table, denim skirts riding their thighs,

bootheels off the floorboards.  I promised

myself I’d chat up one of those cowgirls. 

 

Saturday afternoons I made lots of promises. 

 

 

 

 

 

Winter Sunday, Firenze

 

In front of the stone houses, their shutters

drawn and smoke climbing from the chimneys,

the sycamores are bare, leaves loiter

at the tires of the silent cars.



Orchestral music from a radio …

a woman’s face in a second storey window …

the shops are closed.  No aromas of bread

from the forna, no chatter outside the tabacchi. 

 

At the corner, visitors follow packages

into a taxi.  The taxi turns onto Viale dei Mille’s

empty lanes.  You proceed to the canal,

always the canal, your hands in your pockets,

 

a Camus without the Gauloises.

At the Ponte alle Riffe, a grandson drops bread

to the ducks, his nonno smiling.  And then

it’s just you, you and the purling water.

 

 

 

 


Nov 15 2011

Featured Artist: November 2011 Vol. 4 # 1

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Mennat Allah Abou O'llow

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Cairo, Egypt
Phone: 00202-0100-6526271
Email: manosh86@gmail.com

Mennat Allah Abou O'llow, an Egyptian independent artist, graduated from the Faculty of Fine Arts specializing in printmaking. She has participated in local and international art events and is constantly using her artwork as a vehicle to share her culture with wider audiences. Her artwork celebrates the beauty and inspiration in female figures, their glorious curves, delicate form and expression that holds the heart.

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